O/P Phila. Naval Yard, Thomas Birch, c. 1830

Thomas Birch (1779-1851), c. 1845. China Bound. Canvas lined with Masonite support, in gilt and composite frame with artist label. Unsigned. Oil on canvas. Sight, ht. 19 1/2, wd. 29 1/4 in. Footnotes:

A pair of adjustable dividers by Thomas Jones, c.1830, with an earlier pair of fixed 1:2 dividersb oth in brass, longest 17cm

Thomas Smith Muzzle Loading Percussion Shotgun, c. 1830, barrel flat signed "THOMAS SMITH 55 PARLIAMENT ST. LONDON", foliate engraved lockplate signed "THOMAS SMITH LONDON", scroll behind trigger guar

Oil on canvas portrait of a young man, c. 1830, unsigned. Possibly a Peale (Phila.). Site-23.5"h.x19.5"w.

Curiosities of Great Britain, England and Wales delineated, historical, entertaining and commercial : alphabetically arranged by Thomas Dugdale, antiquarian (John Tallis, London, n.d. but c. 1830; com

19th century oil on panel, depcting a wooded landscape in autumn, artist signed lower left T. (Thomas Bromley) Blacklock, (British, 1863-1903), 15"h x 12"w, overall size including frame 19"h x 16"w.

"Judge Thomas Bowerbank Barton (1792-1891)" oil on canvas. 30 x 25 inches unsigned. framed 38 x 33 inches (overall). N.B. Attribution ascertained by the consignor

Antique oil painting on canvas depicting the portrait of a woman in a black dress attributed to Sir Thomas Lawrence (ENGLISH, 1769 - 1830). Subject is believed to be Margaret Sophia Muller Lawrence, t

Thomas Victor Sergent (French 1830-1890) Nature plate in the style of Palissy, Paris, c. 1870-80, the oval platter heaped with trompe l'oeil fish and crustaceans to the center, the rim border with

Anonymous, 19th c. Oil on Panel, Washington's Headquarters in Newburgh, NY showing yard iand woman in foreground with water off to the left. Not signed back dated 1830. Purchased at Jenkinstown Antiqu

CIRCLE OF BENEDETTO BOSCHETTI (ACTIVE C.1830), A LARGE TAZZA IN SIENA MARBLE ROME, 19TH CENTURY The square dish with egg and dart rim, the corners with swans, the moulded frieze with Vitruvian scroll

American Federal Mahogany Pier Table Circa 1830. Original stencil, gilt decorated acanthus leaf and claw feet decoration. Lower back has the original mirror. Black marble top. Center stencil and lower

William Russell Birch (1755-1844) and Thomas Birch (1779-1851) Nine Views of Philadelphia, "The City of Philadelphia, In the State of Pennsylvania North America; As it Appeared in the Year 1800" Hand-

An Irish school oil on canvas portrait attributed to George Nairn per a late 20th century paper tag verso, the tag reads, "Portrait of Francis Hopkins of Mitchelstown House Co. Meath his pet pony. Can

Rare German Brass Microscope, c. 1830 Signed on the tube "L. Veitshans in Hamburg", original lacquered brass, folding tripod stand, triangular column, large concave single mirror, Ø 2 1/3 in., unusua

Thomas Birch School Marine Oil Painting Antique Hudson River British American Luminist Sailboat Ships Harbor Seascape Winsor Newton London Panel Estate Discovery. Oil on panel. Unsigned. In the manner

Sheraton cherry one-drawer stand, c.1830. 29.5"h.x20"w.

American, Philadelphia, Classical or Empire mahogany and mahogany veneer sofa in the manner of Anthony Gabriel Quervelle (French/American Philadelphia 1789-1856), circa 1830, having a carved back with

Very early Heilmann machine embroidered standing notched edging to broad neckline & short double puff sleeves, bodice & skirt gathered into piped fitted self-W, CB closures, B 41", W 22", L 50", (few

Thomas Birch American, 1779-1851. He Traveled To America From England With His Father, William Birch, In 1794. This Painting Depicts The Engagement Near Madeira, October 25, 1812 Between The Uss Unite

A pair of crotch mahogany flip top games or console tables circa 1830. Having twisted legs. Ht: 30.75" Wd: 37.25" Dpth: 18.25"

Thomas Birch Pennsylvania,1779-1851 Impressionist depiction of three figures carrying a coffin to a hole dug by a fourth figure surrounded by trees beside a body of water with a distant ship. Oil on b

papier-mâché doll with wood joints body, c. 1830, papier-mâché head, without breast plate, blue eyes, red mouth, black painted hair bottom, modelled ears with eardrops, head is fitted by wood peg

Davis Improved Compound Microscope, c. 1830 Signed at the foot: "Improved Compound Microscope by Davis, 65, Bold St. Liverpool". Original lacquered brass, folding tripod base, concave mirror, tilting